• Portrait format photo with sky a vivid shade of pink above a tree covered rocky headland and still sea. Long-exposure colour landscape photography from Aotearoa, New Zealand. Photography by Al Keddie
    The sky above the heads at Whangamata turns a vivid shade of pink in vibrant evening light.
    North island, New Zealand
    June 2012
    A row of broken teeth and rock skerries jut,
    To jaw eloquent under the glowing pink sky
    Balancing precariously over,
    The straight line cut of grinding season,
    And teeter on edge, speaking volumes
    between the endless mulching tide and slow dissolving land


    465 sec @ f / 16 ISO 100
    70mm (EF24-70mm f/2.8L USM)
    Photographed on Canon 5D Mark II with 10 Stop ND Filter
    Processed from digital raw in Adobe Lightroom
    Coromandel Peninsula, North Island
    Aotearoa New Zealand
    June 2012

  • Portrait format photo with blue twilight sky above a rocky headland and still sea. Long-exposure colour landscape photography from Aotearoa, New Zealand. Photography by Al Keddie
    Stars begin their spin in soft, pastel twilight over the sea and heads at Whangamata
    Into the clear blue air,
    above our clear blue heads,
    faint stars scratch
    their circling course,
    to scrub and scour
    the pristine twilight’s fall
    towards deep night, distilled
    and still over our rocky heads,
    and frozen planar sea

    478 sec @ f / 10, ISO 200
    40mm (EF17-40mm f/4L USM)
    Photographed on Canon 5D Mark II with 10 Stop ND Filter
    Processed from digital raw in Adobe Lightroom
    Coromandel Peninsula, North Island
    Aotearoa New Zealand
    June 2012

  • Landscape format photo with rough hewn and highly textured stone circle on open moorland under heavy cloud. Back-and-white landscape photography from Scotland. Photography by Al Keddie
    Late sun lights the ancient stone circle at Callanish on the Isle of Lewis, Outer Hebrides of Scotland.
    Standing stones stand stark, 
    before the night falls,
    cosy under blankets of rolling cloud,
    days end curls warmly around their distant edge

    These ancient rocks and islands
    orbit slowly, circling whirling jigs,
    spotlit grandly in rough hewn textured garb,
    and brilliant under the million setting suns

    3.2 sec @ f / 22, ISO 50
    17mm (EF17-40mm f/4L USM)
    Photographed on Canon 5D
    Processed from digital raw in Adobe Lightroom
    Isle of Lewis, Scotland
    September 2007

  • Portrait format photo with foggy landscape and weird crescents of light amongst a suggested landscape of dark forests and ruins.
    Abstract, black-and-white landscape photograph from Sun Glints, Arcadia Shakes
    A crescent moon and flash of burning sun,
    Grace this our foggy heaven,
    Slicing through to light,
    our patch of narrow land
    And stitch together thoughts
    of grander times, wandering
    To and fro, and wearing thin
    our worn and deadened path

    6 sec @ f / 22, ISO 100
    50mm (EF50mm f/1.8)
    Photographed on Canon 5D with 10 Stop ND Filter
    Processed from digital raw in Adobe Lightroom
    Aotearoa New Zealand
    November 2017

  • Portrait format ICM black and white photograph with abstract zigzagging streamers of light moving across an ambiguous and blurred landscape.
    Abstract, black-and-white transcendent landscape from Sun Glints, Arcadia Shakes
    Dancing light, along a zigzag woven path 
    weaves brightly ribboned lines, frozen
    and luminescent over time
    A dancing firefly romp, 
    revealing alternate, quaking, shaking city streets, 
    Shudder, then walk the bones of these emerging lands

    4 sec @ f / 11, ISO 100
    50mm (EF50mm f/1.8)
    Photographed on Canon 5D with 10 Stop ND Filter
    Processed from digital raw in Adobe Lightroom
    Aotearoa New Zealand
    November 2017

  • Abstract black-and-white landscape photograph with heavily textured and scratched silhouetted trees against the light
    Heavily textured, abstract black-and-white landscape with line of low trees

    I’ve always been fascinated by long-exposure photography and the surreal, transcendent qualities it captures across time. This landscape is from a series shot a few years back when I began seriously exploring intentional camera movement. ICM blends long-exposure with motion to produce abstract and impressionistic photography full of unintentional, but intriguing surprise.

    Increasingly, demands on time led me to transition from static long-exposure to a more flexible approach to everyday landscapes. There’s a freedom to ditching the tripod and taking long-exposures while walking. Making these photographs opened a door and transformed my daily commute into a new arena for creative play.

    These days, the big camera usually stays home and I’m mostly shooting (and processing) on phone. But I’m still developing work from this time and love the film-like smoothness and depths in comparison to the phone. Both have their advantages, and the phone rules for speed, apps and mobility. But the big camera* still kicks ass in terms of image quality.

    *The big camera’s are Canon SLR’s 5d, 5dMKII, 400d & 1000d